If you watch anime or consume anything from movies to video games, you’d have realised romances portrayed in them aren’t very realistic. They pander to our fantasies and private daydreams. A handsome man, woman, or creature, with a perfect personality and supermodel looks attracted to a plain, faced, absolutely boring nobody who could disappear the next day and not turn up on the missing section of a newspaper until a month later. Wish fulfillment is thy name. Everyone is but a slave to its whims. Continue reading “After the Rain – Love over a cup of coffee”
It’s been a long time since I binged an entire series. I can’t remember when I last did it, which is kind of alarming, but I’m glad I finally broke the dry spell. Gaming took up most of my time, as did writing, and going back to my roots, so to speak, has been quite rejuvenating. The anime under the spotlight this time is none other than the widely praised fantasy anime, Made in Abyss. Continue reading “Made in Abyss – An intimate, mind-blowing, and heart breaking affair”
As a fan of the Yuri or Shoujo-Ai genre I’m always glad to see new anime with such traits becoming popular. It’s an unfortunate fact that people associate yuri or yaoi with hardcore gay sex, but its series like Miss Kobayashi’s Dragon Maid which help assert the fact that not everything in this genre must feature women or men squishing their intimate parts together. Continue reading “Miss Kobayashi’s Dragon Maid – A bundle of cuteness worth watching”
I went into this not expecting much but once again, was surprised by the sheer depth and handling of March comes in like a lion. It brings home the point that anime, as a medium, is extremely versatile, and naysayers who insist it is only for children are thoughtless hacks.
This anime might just be one of the best in 2017. I’m surprised how little it’s been mentioned in the sphere of anime youtubers, and I hope someone talks about it soon because it’s looking criminally underrated. Continue reading “March comes in like a lion – Prepare yourself for this feels train”
Every year, my friend and I go to our local cinema to watch the latest installment of the Detective Conan franchise. We’ve been doing this since 2014, going through the movies whether good or bad.
I entered the cinema with fingers crossed and hoped for the best. After the disaster that was the 20th movie I was cautiously optimistic about this one, and while a small part of me was reluctant to watch it, the squealing fan-girl within me pushed me to give it a chance.
And so fast forward several days later – I can still recall the utter relief that rushed through me when I finished watching The Crimson Love Letter. I left the cinema with an excited smile on my face, mind whirling with thoughts and opinions to prepare for this review. It’s a little depressing to be happy just because the movie didn’t suck, but eh. We’ll just have to wait and see if the movie 22 turns out to be good, so that the spike of dread at each new Detective Conan movie will finally cease.
The case this time is simple and straightforward, no closed room murder or intricate murder mystery for the viewer to unravel. I think it’s a good thing because instead of getting a complicated mess of a story what we got instead was a simple and solid mystery. The whodunit didn’t become clear to me until they were revealed but more astute watchers might guess who it might be if the manage to piece together the evidence quicker than I could.
The Crimson Love Letter not only gives us a good mystery, it also provides a generous dollop of competitive Karuta – something some anime fans might be familiar with if they watch or read Chihayafuru. Basically, it’s a sport wherein players have to ‘steal’ cards from their opponent’s territory, a one-on-one battle to see who gets the card first. It requires a fast-reflexes and an intimate knowledge of the poems written on the cards, and the first player to get rid of all their cards, win.
A deep understanding of Karuta isn’t necessary but you would enjoy the Karuta battles more if you did, I suppose. The movie does a good job of tying it in with the main plot and character motivations, so I was slightly impressed by that. The inclusion of Heji and Kazuha also served to spice up the regular mystery formula due to the fact Heji’s childhood friend has a role to play in the story as well. Overall, I think the plot was well-paced and kept my interest for the entire runtime.
Hattori Heji and Tomoya Kazuha stage an epic return in this movie. I really missed them as it’s been quite a while since they appeared in both the manga and the anime, and as I watched Conan and Hattori bicker like old pals I felt indescribably happy at such a familiar scene.
In contrast to Conan’s rational and sometimes cold personality, Hattori’s hot headedness provides a nice change. He spices up boring exposition scenes and makes the regular doom and gloom of searching for the murderer more enjoyable, and his ‘will they or will they not’ relationship with Kazuha makes The Crimson Love Letter more energetic and humorous. There were many scenes throughout the movie where the chemistry between the two childhood friends were downright intense – you can literally see their affection for each other through every action and remark.
This causes the appearance of the movie’s new character, Ooka Momiji, to have a bigger effect, one of the side plots being that she is ‘engaged’ to Heji due to a childhood promise. This was another aspect of The Crimson Letter that I really liked as it gave the movie a lot more personality, rather than going through the usual tired detective mystery and eventual capture of the suspect.
In many ways, the characters here felt more genuine than those in the last few movies.
Editing was on point for this movie, and the creative use of panels from the manga to convey flashbacks was a very nice touch, and honestly, damn impressive. They really stepped up the game for this movie. The animation was consistent with several standout moments, like one scene where Kazuha and Momiji admire their surroundings from a boat. Overall, I have nothing but praise for the animation.
The Crimson Love Letter may not be a return to form, but it does a fine job of reminding DC fans of why they like it in the first place. A solidly written mystery with entertaining characters and impressive animation, you can’t go wrong with this one. Take it from someone who hated the last movie, The Darkest Nightmare. This movie is definitely worth your time.
A Love letter to the fans
Who knew an anime about a reincarnated salary man could be so interesting? Granted, he reincarnated into a psychopathic loli, but it proved to be a million times more interesting than the generic harem and shonen series that are pumped out by the hundreds each year. Continue reading “Youjo Senki – All Hail The Empire!”
There are times where all we need is a good anime and a hot drink to unwind after a tough day.
The perfect anime for this would be Demi-chan wa Kataritai – or if you want a name that is less of a mouthful – Interviews with Monster Girls. Continue reading “Demi-chan wa Kataritai – Absolutely adorkable”
Shows like this leave me torn. In a similar vein to Sword Art Online, Mahouka Koukou no Rettousei – abbreviated as Mahouka – has a protagonist who is near godlike and has plot armor rivalling poorly written self-insert fanfiction.
On one hand, this anime was ridiculous in a way that left me entertained. The overpowered main character, Tatsuya Shiba, is inexplicably fun to watch but unfortunately, any self-respecting critic will be hard pressed not to point out his flaws.
Like most light novel adaptations, the story is difficult to judge as the anime only adapts a certain portion of it and thus only captures some of what it has to offer. The anime ends before the story really starts to take off. Despite this, I think they did a passable job of adapting the story material, though that’s not to say the show is without flaws. I believe Mahouka has adapted eight volumes of its light novel and roughly three arcs in total.
The first twelve episodes that constitute the first arc is easily the best part of this show. This is no argument, as the quality of the episodes afterwards dips tremendously. The last two arcs leave much to be desired due to poor execution and poor pacing. They are still mildly enjoyable but as a whole they make the anime lousier than it would’ve been had they stopped at episode 12.
The basic premise of the show is that in a world reliant on magic and magicians, Tatsuya is one of those with poor magic skills, and that in itself is enough to be ostracized and debased since people talented in magic think themselves superior. His sister, Miyuki, is one of these talented magicians but fortunately, she loves her brother with all her heart and is a good person – this strange combination leads to the pair getting attention, and not the good kind.
What the show does well is slowly introducing its huge roster of characters. It starts with the siblings before expanding, and as the plot unravels, the overarching story begins to come to light.
Another aspect of the anime I liked was how they told us about the inner workings of the society said characters live in, as well as explaining the nitty gritty of magic and how it works. Good world-building is a definite plus for me, but if you’re the type who dislikes being pelted with exposition Mahouka will probably not seem appealing.
Overall, the story is only passable. Those looking for a deep and intriguing plot will probably end up disappointed. While Mahouka has plenty of world building and some politicking, it’s more action oriented.
As I said in the opening paragraph of this review, I actually like Tatsuya. But despite me liking him, I can firmly say that he is a critic’s worse nightmare. If being ‘bland’ is a character trait, than Tatsuya has got it down to a tee. There’s an explanation for him being this way, but other than being an overprotective older brother, he is pretty much a gary stu. Again, this aspect of the show is a plus for me because I enjoy these types of shows and character tropes, but I know more than a few people who hate this sort of thing.
Miyuki Shiba gets her fair share of screen time since she’s nearly always sticking to Tatsuya, but her character – like her brother – is only skin deep.
She’s a badass. Unfortunately, she gets little to no development. She does not change throughout the show and while I can brush it off since this anime has only adapted a mere eight volumes of light novel, but the fact remains that she received no development. She is an overprotective and talented younger sister. That sentence is her character.
Continuing on, the rest of the cast is unfortunately as underdeveloped as the siblings. This leads to ‘heavy’ moments where emotional scenes which are supposed to further the characters, hold little to no sway over those watching. One might say that I’m criticizing the show for something it holds no power over, but it is because I like Mahouka that I’m critical of it.
If the show does get a second season, I hope its flaws get addressed, which would in turn attract more fans.
Though Mahouka has glaring flaws, it was an entertaining watch and deserves to be given a chance. The show has a great soundtrack and decent animation, it is far from the worse anime I’d ever watched. If you enjoyed SAO then you’d love Mahouka, no doubt about that. However, if you hated SAO and are interested in checking this anime out then I’d suggest that you don’t get your hopes too high or even avoid it completely.
Sword Art Online – abbreviated as SAO – is infamous throughout the anime community for being trash. The protagonist is an OP harem master and the female characters are nothing but sacks of jiggling flesh for viewers to gape at and fap to. Despite this being the general consensus among anime veterans, some agree that despite its flaws, it’s a darn entertaining show.
I enjoyed SAO and would go as far as to say it’s one of my favorite anime. I’m not ignorant to the fact that it has (many) flaws, but I like it for what it is.
This show is not meant to be taken seriously and there are reasons for its popularity, one reason being accessibility. The show’s plot and characters are straightforward, making it easy to understand and enjoy.
Many people I know that don’t watch anime have seen SAO and liked it, which is partly why it was as big as it was. It appealed to people who have never watched an anime in their lives.
I think the show’s premise also played a great part in getting attention, because how many people can resist watching a show about getting trapped in a video game? Not many!
And so, after two anime seasons and several games, the movie Sword Art Online: Ordinal Scale is the latest addition to this successful franchise.
The story of Ordinal Scale is decent. After the SAO fiasco and the confiscation of NerveGear, a new device called the ‘Augma’ has taken its place as the new hot and upcoming technology. It’s a safer option compared to the NerveGear, it doesn’t have enough power to fry the wearer’s brain, and its multitude of uses made sure it spiked popularity.
While playing the popular AR (Artificial reality) game Ordinal Scale, Kirito and his hare– I mean, friends, discover that SAO survivors are losing their memories of their time spent in the death game after playing Ordinal Scale.
The mix of mystery and action was quite well done in this movie. While I would have loved to see more action, what I got from the movie was entertaining enough. It had a strong start, but the ending was resolved in a slightly campy manner. Still, it was in line with much of what I expected, but I’m glad it gave its viewers a chance to piece together the mystery on hand rather than just giving it to us straight.
The movie also has some genuinely touching moments, it’s impressive considering how much content they managed to fit into a two hour timeframe.
Kirito received some interesting development. They managed to grab my interest with how they spun Kirito’s preference for the virtual world, as compared to the real one. Even after going through the traumatizing experiences of Sword Art Online, he still likes VRMMORPGS and prefers them to AR games, which is the opposite of how most survivors feel.
I got the feeling that what he didn’t like about the AR technology was that it breached the thin line of ‘virtual’ and ‘reality’. It makes for some good brain food and left me contemplating on the advantages of both AR and VR. Unfortunately, the movie kind of cops out at the end and Kirito solves his problems with the age old technique of ‘Hit it until it works’ but the characterization was good while it lasted.
Another thing I was appreciative of was how the movie explored ‘Survivor’s guilt,’ by showing little tidbits of events that happened in SAO but were not showed in the anime. It was a good move and made me connect with the characters. It’s too bad they never got to finish exploring it since the movie ends in a rather clichéd manner.
Like I said, though the movie had a strong start, its starts to fall into its more shonen tendencies by the end. I wish they’d taken more time to explore how people were emotionally affected by the loss of their memories, and what kind of effects they would experience in the long term.
But, well…I guess we can’t have it all.
Asuna also showed some decent growth in the movie. I’ve always liked her (except in season 2, but let’s not talk about that) for her emotional strength, which is what made her coupling with Kirito interesting. While he’s stronger in a physical sense, she is stronger in matters of the heart. She is sure of herself, and is less likely to suffer internal dilemmas. The movie does something great and takes this strength away from her, so to speak. As such, the stakes rise and give the movie a sense of urgency as both she and Kirito fight to get it back.
Sword Art Online: Ordinal Scale is a must watch for any fan of SAO. Fans of Kirito and Asuna are bound to enjoy it. For those interested in characters like Silica, Lisbeth or Sinon, you’ll be out of luck since they only have minimal screen time as most of it is split between Asuna and Kirito. However, the upside is that we do get to see what they’ve been up to after SAO. It’s a decent movie that won’t take too much of your time.